It is difficult to trace the origin of Janger. No place in Bali admits to having been responsible for the first janger. The north Bali says it came from south, the south attributed to north. If Bali makes Lombok responsible, Lombok says it learnt from Bali. Some professional said that the janger is derived from Sanghyang dance. The female and male choirs were taken away from Sanghyang Dedari and formed new composition. Some said that janger originated from the song of girls, who picked coffee beans from the trees in North Bali.
When they were sitting together in the work of their break in the work, they began to sing together, joined by a few boys and it developed in to janger. Other said it was the Balinese answer for Sumatran Rampak Sembilan dance. The flute begins an eerie tune, and faraway voices chant a unusual song that flows from a loud melody to an inaudible high pitch. Seven girl singers appear wearing splendid, floral crowns with multi-coiored spikes.
They advance, allowing another pair to enter, until twelve girls have filed on stage. Slowly, they kneel opposite each other, cocking their heads and darting their eyes to accent the rhythm of the orchestra. As the chanting continues, txkeive young men silently repeat the girls' entrance. In contrast to feminine delicacy, their movements are deliberate and strong. All wear painted moustaches and bear the self assured look of a glitk courtier.
Suddenly, the male formation breaks in to frenzied activity of twists, jerks and lunges -all in the tight syncopation of a military drill, with brisk shouts of "O beh 1 0 beh 1 Dinga dinga ding janger-ger!" Instantly, the,,shock wave ceases, the men freeze in their positions, and the lonely flute carries the dance Gack to the soft sways and chanting of the girls
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